Sonia Megías

ASUNCIÓN: X Mono+Graphic (march-may 2022)
2022-03-12 - 2022-05-08 | ASUNCIÓN: Centro Cultural de España Juan de Salazar, Tacuari 745, Asunción, Asunción, Paraguay
From March 12th to May 8th 2022, I had my rare scores exposed at the Centro Cultural Juan de Salazar in Asunción (Paraguay).
While the exhibition was running, I could make some guided visits and a final performance with people from workshop ‘Sacar la voz’ (Bring your voice out), in which we read some of the exposed pieces.

Pictures:
Posters.
Cartel Visitas guiadas

Metatrón, for vídeo and band.

25 Ciudades 50 calles, map-scores for groups of 4 performers and 2 loudspeakers.

Tactile scores: The Time in a Thread, Cuatro caminos and Futhark.

Sainals, signal-scores for 3-voice chorus and recording on the woods of Connecticut.

Series CorAnimales: Mmngieaaou and Retórtolis, graphic scores for chorus that sings animal sounds.

Triangle, for three female singers. Tribute to the dead women at the Triangle Fire (New York) in 1911.

Series Shelley, tribute to Mary Shelley and the Frankenstein creature: Shelley I, for solo clarinet; Shelley II, for solo accordion; Shelley III, for solo voice.
Shelley I – clarinete solo Shelley II – acordeón solo Shelley II – acordeón solo Shelley II – acordeón solo Shelleys

Grafía cantada, vídeo-score cocreated with Pepe Gimeno.

Contrapunto fonémico, mandala-score to be walked.

CAMPO DE CRIPTANA: My arrangements by the OCM
2021-10-09 19:30 (Europe/Madrid) | CAMPO DE CRIPTANA: Teatro Cervantes, Calle Soledad, 2, Campo de Criptana, Ciudad Real, 13610, Spain
Wonderful Ciudad de La Mancha Orchestra celebrates its 10 years with this concert made of my arrangements at the Cervantes Theater of Campo de Criptana (Ciudad Real).
Tickets online here.
Tickets in presence on October 9th from 6:00 pm to 7:30 pm at the Pósito Real.

I invite you to listen to part of the show from the following link.

Press:
2021’X’04 – La orquesta Ciudad de La Mancha vuelve con su espectáculo ‘Mediterráneo, canto al mar’ al Teatro Cervantes de Campo de Criptana, por Lanza Digital, diario de La Mancha

COLMENAREJO: IX MONO+GRAPHIC
2020-02-24 - 2020-03-15 | COLMENAREJO: Centro Cultural, Calle Campana, 5, Colmenarejo, Madrid, 28270, Spain
Some pictures:
Referencia de Instagram Visita guiada 9 Visita guiada 8 Visita guiada 7 Visita guiada 6 Visita guiada 6 Visita guiada 3 Visita guiada 2 Visita guiada 1 Exposición montada a falta de las cartelas Montaje de las partituras largas Cartel Equipo de montaje

MADRID: VIII Mono+Graphic
2019-04-10 - 2019-05-10 | Auditorio del Conde Duque, Calle Conde Duque, 9, Madrid, Madrid, 28015, Spain
Music is the most democratic art, it does not understand about ages or knowledge, it simply goes through corporalities: it is able of playing unsuspected and precipitating keys to joy or collapse in just a few seconds. Sounds directly connect with the emotions and are translated into the gesture, the dance, the externalization of a feeling. They bring forth the numb within, the intimacies and the demons. The best expressionist painting could not remove so much, so intense.
In Sonia Megías’ universe, any situation or evolution is capable of becoming music, rather, everything is music, you just have to uncript the sounds that make it up and find the best way to transmit them. Communication is the main issue. The artist is interested in the fact that non-professional performers understand her scores without knowing how to read the usual ones. To this end, she researched into notations (musical and non-musical) from different cultures and moments in history, asking herself how they did it in ancient times and how can music be brought closer to the greatest number of people. The main key is the transformation of a written and technical language into a visual one that manages to attract the viewer and involve him/her in the piece’s creation.
Megías’ scores jump to the fine arts level to make sounds visible and their performances manageable. They can’t only be read, but also seen and even touch. Its structure has been plastically materialized and invites the audience to be part of it and experience it.
Nerea Ubieto, curator.
The giant score of the courtyard was created in collaboration with the American Space Madrid, and some of the pieces exposed were performed at the concert-performance.

Pictures:
Giant score (800 squared meters):
Contrapunto Fonémico II – pintura en el American Space 1 Contrapunto Fonémico II – pintura en el American Space 2 Contrapunto Fonémico II – pintura en el American Space 3 Contrapunto Fonémico II – pintura en el American Space 4 Contrapunto Fonémico II – secado en el American Space 1 Contrapunto Fonémico II – secado en el American Space 2 Contrapunto Fonémico II – instalación 1 Contrapunto Fonémico II – instalación 2 Contrapunto Fonémico II – instalación 2 Contrapunto Fonémico II – instalación 3 Contrapunto Fonémico II – instalación 4 Contrapunto Fonémico II – instalación 5 Contrapunto Fonémico II – instalación 6 Contrapunto Fonémico II – instalación 7 Contrapunto Fonético II – retoques finales Contrapunto Fonémico II – retoques finales 2 Contrapunto Fonémico II – vista cuadrada Contrapunto Fonémico II – vista horizontal 1 Contrapunto Fonémico II – vista horizontal 2 Contrapunto Fonémico II – vista horizontal 3 Contrapunto Fonémico II – vista vertical 1 Contrapunto Fonémico II – vista vertical 2 Contrapunto Fonémico II – con paseantes 1 Contrapunto Fonémico II – con paseantes 2 Contrapunto Fonémico II – con paseantes 3 Contrapunto Fonémico II – con paseantes 4 Contrapunto Fonémico II – con paseantes 5

Exhibition in the inner space (pictures by Ela R que R):
Cartel Partituras objeto – vitrina Ffrraarr – partitura Jaula de chicharras – cartela 25 Ciudades 50 calles – montaje Laberinto de Templo – montaje Partituras listas para salir del estudio The Time in a Thread – postal Skins#1 – postal 1 Paz – postal Skins#1 – postal 2 25 Ciudades 50 calles – postal 1 El tiempo en un hilo – postal 25 Ciudades 50 calles – postal 2 Ffrraarr – postal 2 Ffrraarr – postal 1 Futhark – postal 2 Futhark – postal 1 Contrapunto fonémico I – postal 1 Contrapunto fonémico I – postal 2 Contrapunto fonémico II – postal 2 Contrapunto fonémico II – postal 1 Sigiloso Marte – postal 1 Sigiloso Marte – postal 2 Contrapuntos fonémicos – visita guiada 2 Partituras objeto – visita guiada 2 Comienzo visita guiada – flauta mágica Partituras objeto – visita guiada 1 Laberinto de Templo – visita guiada Partituras Cuerdas – visita guiada Vídeos – visita guiada Inauguración de la exposición Final visita guiada – venta de postales Jaula de chicharras – visita guiada 25 Ciudades 50 calles – izquierda Jaula de chicharras – sola 25 Ciudades 50 calles – izquierda Partituras Cuerdas – vitrina Exposición – cartelón Sigiloso Marte – montaje Skins#1 – montaje Futhark – montaje Ffrraarr – cartela Ffrraarr – quicos

Concert:

CONCERT PROGRAM (with links to the videos):
Tempsiabo · osm44 (2006) for solo soprano and SABr mixed chorus:
Ruth González, soprano
Coro de Jóvenes de Madrid + CoroDelantal, choruses
Juan Pablo de Juan, conductor
BlinDate · osm82v1 (2019) for three tres bandurrias and dance
PlecTres: Marta Escudero Valero, bandurria soprano
Rafael Tarjuelo Montero, tenor bandurria
Rubén Garcia Casarrubios, bass bandurria
Psico Ballet Maite León dance company
EAUO · osm95#4 (2015) for vocal duet
Dúa de Pel: Eva Guillamón and Sonia Megías
Soy · osm95#12v1 (2018) for vocal duet, bandurria trio and percussion
Dúa de Pel, voices
PlecTres, bandurrias
Fani Fortet, percussion
Grafía Cantada · osm89#4 (2016) video-score for group of performers
co-created with Pepe Gimeno
CoroDelantal, chorus
Sonia Megías, conductor
Rosa en Alejandría · osm102#v1 (2019) for piano, flamenco singer and women chorus SMA
Rocío Márquez, lyrics
Rosa Torres-Pardo, piano
La Jose, singer
Fani Fortet, percussion
Proyecto Compositoras, chorus
Patricia Kleinman, conductor
Unamos nuestras voces · osm105#1 (2018) for SATB mixed chorus || Link to the BIS
Eva Guillamón, lyrics
Coro de Jóvenes de Madrid
CoroDelantal
Juan Pablo de Juan, conductor

Cartel del concierto Ensayo de Grafía cantada con el Coro de Jóvenes Tempsiabo – pasillo Tempsiabo – escenario Tempsiabo – pantalla Tempsiabo – Ruth BlinDate – Psicoballet y Plectres – 1 BlinDate – Psicoballet y Plectres – 2 BlinDate – Psicoballet y Plectres – 3 Bienvenida EAUO – Dúa de Pel – 1 EAUO – Dúa de Pel – 2 Soy – Dúa de Pel, Fany Fortet y PlecTres – 1 Soy – Dúa de Pel, Fany Fortet y PlecTres – 2 Soy – Dúa de Pel, Fany Fortet y PlecTres – 3 Soy – Dúa de Pel, Fany Fortet y PlecTres – 4 Grafía Cantada – 1 Grafía Cantada – 2 Grafía Cantada – 3 Rosa en Alejandría – 1 Rosa en Alejandría – 2 Rosa en Alejandría – 3 Rosa en Alejandría – 4 Rosa en Alejandría – 5 Rosa en Alejandría – 6 Rosa en Alejandría – 7 Unamos nuestras voces – 1 Unamos nuestras voces – 2 Unamos nuestras voces – 3 Unamos nuestras voces – 4 Unamos nuestras voces – 5 Saludos Sonia Saludos con Rosa Torres-Pardo Saludos todos GRAN CoroDelantal – 1 GRAN CoroDelantal – 2 Con Juan Pablo y el Psico Ballet Programación en la calle

Choral workshop:

Media:

2019’IV’30 – NoticiasDe: Citas culturales destacadas. Semana del 1 al 7 de mayo
2019’IV’19 – Proyecto Compositoras: Proyecto Compositoras con Sonia Megías y Rosa Torres-Pardo
2019’IV’17 – Doce Notas: Conde Duque celebra el ciclo de música contemporánea Perturbaciones Periódicas
Blog de la Asociación Fulbright: Se ve, pero sí se toca

CAMPO DE CRIPTANA: Orquesta Ciudad de La Mancha plays my arrangements
2016-11-26 20:00 - 21:30 (Europe/Madrid) | CAMPO DE CRIPTANA: Teatro Cervantes, Calle Soledad, 2, Campo de Criptana, Ciudad Real, 13610, Spain
Orquesta Ciudad de La Mancha, conducted by Fernando Bustamante, has very peculiar components:

Solo voice
Flute
Oboe
Bandurrias I / Mandolinas I
Bandurrias II / Mandolinas II
Lutes
Flamenco guitar
Classical guitars
Double bass
2 percussions
Accordion
Piano

In this concert in honor to Santa Cecilia, they’re going to play the four arrangements I wrote for them: Alfonsina y el mar, Habaneras de Cádiz, Mediterráneo y Gracias a la vida.

MADRID: 7th Mono+Graphic
2015-01-28 19:30 - 22:00 UTC | MADRID: Sala Manuel de Falla de la SGAE, Fernando VI, 4, Madrid, Madrid, 28004, Spain
7th MONO+GRAPHIC – audience 7th MONO+GRAPHIC – poster 7th MONO+GRAPHIC – artists
Alfredo Carrión, curator

PROGRAM
RiChiamo* (2012) in the version for piano and string quartet
RCSMM (Royal Conservatory of Madrid) ensemble. Sebastián Mariné, conductor
Elisa, Para** (2007) for alto sax and piano
Felipe Zaragozí, sax
Jorge Jambrina, piano
Pequeña guitarra*+ (1999-2004) for solo guitar
Pilar Rius, guitarra
Sonata (2002) for violín and piano
Pablo Gastaminza, violín
Hortensia Hierro, piano
La Trenza de Cage** (2005) for solo flute
Mª José Belotto, flute
Tango nº 2 (2003) for violoncello and piano
Luisa del Peso, violonchelo
Carlos Marín, piano
Shelley I (2004) for solo clarinet
Gustavo Duarte, clarinet
Tempsiabo (2006) for soprano and mixed chorus
LBaila (2008) para 9 voces mixtas
Isabel García, soprano
CoroDelantal, dir. Sonia Megías
* Premiere in Spain
** World premiere
*+ Premiere of the version

Media:

Somos Chueca: Concierto para presentar la editorial de partituras EdicionesDelantal

MADRID: 6th Mono+Graphic
2014-04-02 - 2014-05-31 | Fundación Entredós, Calle Marqués Viudo de Pontejos, 4, Madrid, Madrid, 28012, Spain
Production team:
Aludena Albi, curator
Juanma Aragón, video

Pictures:
Cartel del concierto Antes del concierto – Ensayando Antes del concierto – Foto de grupo Las chicas de ‘El Mono’ Sandra Díaz en ‘Nana’ Isabel García y Sonia Megías en ‘Procesión’ Sonia Megías en ‘Sigiloso Marte’ CoroDelantal en ‘Celos’ – foto 1 CoroDelantal en ‘Celos’ – foto 2 CoroDelantal con el público atado Aplausos Saludos Mostrando la expo – foto 1 Después del concierto – celebrando Cartel Daniel Molero en ‘Mi habitación’ Mostrando la expo – foto 2

PROGRAM (with links to some videos):
April 2nd 2014: the opening.
– Harmonic procession
– Interview
– Guided visit to the exhibition

April 9th 2014: the concert.
Cantilena from The Monkey (2010)
Eva, Reyes, Tania, Julia, Inés, Maika, Luisa, Marta, Sonia
Mi habitación (1999)
Daniel Molero, Spanish guitar
Nana (1999)
Sandra Díaz, Spanish guitar
Contrapunto de vocales (2009)
CoroDelantal
Tictac (2010) PREMIERE
CoroDelantal
Mmngieaaou (2006)
CoroDelantal
LBaila (2008)
poem by Souad Hadj Ali Mouhoub
CoroDelantal
Celos (2013)
CoroDelantal
Tempsiabo (2006)
Isabel García López, soprano
CoroDelantal

ALMANSA: V Mono+Graphic
2013-11-15 - 2013-12-08 | ALMANSA: Universidad Popular, Calle de Aragón, 19 , Almansa, Albacete, 02640, Spain
Press kit Poster Drawing by Paco Catalán on the newspaper

PROGRAM (with some links to videos):
At 19:00
Cello mantra (2011) choreography for cello, breathing and two bells
Ana Belén Berenguer, performance artist
Sonia Megías, assistant
Loli García, guidance for the audience
– Break –
At 20:00
La maleta (2009) videoprojection and acting
Sonia Megías, performance artist
Eduardo Momeñe, video
Si pudiera (2002), lyrics by José Tomás
José Manuel Delicado, voice
Julia Requena, viola
Amparo Sanz, guitar
Shelley I (2004)
Miriam Pérez, clarinet
Shelley III (2010)
Francisco Hoyos, voice
Vall d’Aosta (2004)
José Manuel Delicado, tenor
Sonia Megías, piano
BlinDate (2012) video projection
Eva Guillamón, actress
Ensemble Contemporáneo de la Universidad de Nueva York, performers
Thessia Machado, editing
Sigiloso Marte (2013) object score PREMIERE
Sonia Megías, performance artist
Tango nº 2 (2003)
Albert Almiñana, sax
Miriam Pérez, clarinet
Sonia Megías, piano
Contrapunto de vocales (2010)
The Time in a Thread (2012)
Singers by ‘Coral Unión Musical’: Pau Albert, Isabel Azorín, Juan Ramón Cañete, Juan Cuenca, Francisco Hoyos, Mavi Liberia, Francisca López, María Jesús López, Aurora Pérez, José Richart, Teresa Tomás.

Media:
2013’XI.- Web de la Ciudad de Almansa

MADRID: IV Mono+Graphic
2012-11-18 19:00 - 22:30 UTC | Espacio Ronda, Ronda de Segovia, 50, Madrid, Madrid, 28005, Spain
Invitación Ensayo de ‘Ready For.1’ Con mis primas artistas, Ana y Mercedes, antes de la actuación Ana y Mercedes, se preparan para su primera actuación de música contemporánea. Estreno de ‘La corte de Menganito’ nivel 1, a cargo de Ana +GRAPHIC. Estreno de ‘Tempi 3.27’, a cargo de Eva, Toni y Mercedes 2012’XI’18. Espacio Ronda, Madrid. Tempsiabo at the IV MONO+GRAPHIC ‘AvShalom’ por el Coro Nur, dirigido por José Manuel López Blanco ‘LBaila’ por Guayi, Amaya, Laura, Estela, Eva, Myriam, Marián, Celia y Pili. El CoroDelantal Con Francisco Hoyos y Pepi, tras el concierto.

PROGRAM (with link to videos):
Cello Mantra (2011), choreography for bow, breathing and two bells.
Ana Belén Berenguer, performance artist
AvShalom (2010), crying for 6 voices for the son of David.
Nur Chorus.
José Manuel López Blanco, conductor
¿Te acuerdas? (2008), for soprano y piano.
Alfonsina Storni, lyrics
Estela Ortega, soprano
José María Monteagudo, piano
No mires a otro lado (2009), for soprano y piano.
Ana Mañeru, lyrics
Estela Ortega, soprano
José María Monteagudo, piano
La Corte de Menganito (2005), piano tale in 3 levels. Nivel 1. PREMIERE
Ana López, piano
Ready For.1 (2012), musical theatre for soprano, piano and percussions.
Juan Crespo, soprano
Christian Ray Leovido, piano and percussions
Mmngieaaou (2006), soundtrack for “Les Familiers” by Pauline Horovitz.
Coro Delantal
The Time in a Thread (2012), tactile score.
CoroDelantal
Cantar (2010), choral rap.
Pili Monzón, lyrics and rapping
CoroDelantal
BlinDate (2012), videoart projection.
Eva Guillamón, actress
Esther Montoro and Sonia Megías, cameras
Thessia Machado, editing
NYU Contemporary Music Ensemble. Jonathan Haas, conductor
LBaila (2008), oriental dance for 9 female voices.
Souad Hadj-Ali Mouhoub, poem
Eva Guillamón, recited
Estela Ortega, Laura Giménez, Amaya Aragonés, Guayarmina Calvo, sopranos
Myriam Cea, Marián Piquero, Celia Bañón, Pili Monzón, altos
Tempi 3.27 (2010), choreography for 3 groups of pages. PREMIERE
Mercedes López, reader#1 (“El Último Habitante”, Mastretta)
Tony Torres, reader#2 (“Hymne à l’Amour”, Piaf)
Pablo Nacach, reader#3 (“Sonate mit ürlauten”, Schwitters)
Shelley III (2010), for solo voice.
Francisco Hoyos, performance artist
White Doll (2008), for violoncello and piano.
Laura Giménez, cello
José María Monteagudo, piano
Procesión (2001), for mezzosoprano and piano.
Isabel García, mezzosoprano
Guayarmina Calvo, piano
Tempsiabo (2006), for soprano and mixed choir in 3 voices.
Isabel García, soprano
Coro Nur + CoroDelantal
Singers at Coro Nur:
May Álvarez, Eva Aneiros, Ana Atienza, Maite Lázaro, Gisela Oliván, Elisabeth Rodríguez, sopranos. Pilar Beltrán, Mar Blanco, Belén Errandonea, Carmen Martín, Natalia Pobedina, Molly Scruta, Érica Zisa, contraltos. Adán Carreras, Ángel Cerezo, Paco Fernández, Miguel Hernández, Ángel Hervás, Dani Pérez, tenores. Arturo Domercq, Lucas Fernández, José Juan Guillén, Alejandro Iglesias, Santiago López, Alberto Martín, Antonio Romero, bajo.
Singers at CoroDelantal:
Lucía Arranz, Reyes Arranz, Carolina Bermejo, Patricia Estevan, Chus Martín, sopranos. Myriam Cea, Erica Márquez, Blanca Minaya, Celia Bañón, Ada Zanuy, altos. Eva Guillamón, Luisa Gutierrez, Marián Piquero, tenors. Luismari Larrión, Yolanda Monar, basses.

NEW YORK: III Mono+Graphic
2012-04-19 - 2012-04-25 | Instituto Cervantes de Nueva York, 211 E 49th St, New York, New York, 10017, United States
Produced by the Cervantes Institute of New York, while Javier Baldivieso was the administrator and Javier Rioyo the director.

Pictures from the exhibition:
Poster The place ‘The Time in a Thread’ score ‘Tuttlehead’ score ‘Viaje de invierno’ score ‘Sshhcrack!’ score ‘Skins#1’ score (inner part) ‘Shelley I’ score ‘Cello Mantra’ score ‘Nueva York 2010 – Invierno Oblicuo’ score ‘Ffrraarr’ score

Pictures from the concert:
‘The time in a thread’ by CoroDelantal Heather Laurel with CoroDelantal – pic 1 The audience With the camera-women ‘Skins#1’ – the audience ‘Shelley III’ por Megan Schubert – foto 2 ‘Shelley III’ por Megan Schubert – foto 1 ‘Shelley I’ by Jesse Gilday ‘Segunda beckettiana’ by Raymond Sicam and Jesse Gilday Starting improvisation – pic 1 Starting improvisation – pic 2 Starting improvisation – pic 3 Patty Getting ready with Clara and Julie Faces ready Peter CoroDelantal rehearsal Heather Laurel with CoroDelantal – pic 2 ‘Cantar’ by CoroDelantal

PROGRAM (with links to the videos):
Improvisación de bienvenida
· en terrazas y jardín
tod@s junt@s
Segunda Beckettiana (2010)
poema de Eva Guillamón
· en el jardín
Raymond Sicam, barítono
Jesse Gilday, clarinete
Skins#1 (2010), dedicada a Patti Kilroy
· en la biblioteca
Patti Kilroy, violín y pedal de loop
The Time in a Thread (2011), dedicada al Coro de Voces Bravas
co-creada con Merche Blasco
· en el jardín
CoroDelantal
Shelley I (2004), dedicada a José Andrés Pérez
· en el jardín
Jesse Gilday, clarinete
Tempsiabo (2006), dedicada al Coro de Voces Bravas
· en la galería
Heather Laurel, soprano
CoroDelantal
Mmngieaaou (2006), dedicada al Coro de Voces Bravas
· en la galería
CoroDelantal
Shelley III (2010), dedicada a Laura Bohn
· en la galería
Megan Schubert, soprano
AvShalom (2010), dedicada a Manuel Soler Tenorio
· en la galería
coro NYU University Singers & friends. TRABAJO EN PROGRESO
Cantar (2010)
co-creada con Pili Monzón
· en la galería
Blaki Black, rapero
Raymond Sicam, beatbox
Cantantes del CoroDelantal:
Clara Barreneche, Luisen Elías, Inma Heredia, Slavo Krekovic, Thessia Machado, Megan Schubert, Raymond Sicam
Cantantes del coro NYU University Singers & friends:
Bernadette Bizer, Scott Groffman, Benjamin IJ Mintzer, Liza Marie Johnston, Heather Laurel, Peter Lish, Sonia Megías, Megan Schubert, Raymond Sicam, Julie Song, Tony Tong, Anna Tonna

Prensa:
2012’IV’2: Blog de Lola Serrano

NEW YORK: II MONO+GRAPHIC at Experimental Intermedia
2012-04-11 21:00 - 23:00 UTC | NUEVA YORK: Experimental Intermedia, 224 Centre St # 3, New York, New York, 10013
2012’IV’11. II MONO+GRAPHIC. ‘Triangle’ at Experimental Intermedia, NYC, Invitation 2012’IV’11. II MONO+GRAPHIC. ‘Triangle’ at Experimental Intermedia, NYC, closer 2012’IV’11. II MONO+GRAPHIC. ‘Triangle’ at Experimental Intermedia, NYC, further
Video-summary:

Team of producers:
Phill Niblock and Katherine Liberovskaya, curators
Margarita Danielian, catering
Phill Niblock y Fred Bernas, cameras
Thessia Machado, flyers design and video edition

PROGRAM (with links to the videos):
Mal(in)con(i)ci (2004) projection
Paola Boioli, video
Alessandra Rombola, flute
Jesus Aranda, clarinet
Pilar Crespo, violin
Ana Belen Berenguer, cello
German Alonso, Spanish guitar
Segunda Beckettiana (2010)
poem by Eva Guillamon
Raymond Sicam, baritone
Jesse Gilday, clarinet
Skins#1 (2010)
Patti Kilroy, violin and loop pedal
BlinDate (2012) projection
Eva Guillamon, actress
Esther Montoro and Sonia Megias, cameras
Thessia Machado, video edition
NYU Contemporary Music Ensemble:
· Patti Kilroy, violin
· Yu Chieh Lee, viola
· Roxanne Hung, cello
· Pat Swoboda, double bass
· Anne Marie Dearth, flaute
· Samuel Marques, clarinet
· Matt Lau, percussion
· Jeremy Lowe, percussion
· Shaun Gallant, percussion
· Jeff Lankov, piano
Jonathan Haas, conductor
Triangle (2011), dedicated to dead women at the Triangle shirtwaist factory fire, at its centenary
Catherine Provenzano, actress
Megan Schubert, soprano
Silvie Jensen, mezzo
Kathy Bruce, costumes
Eva Guillamon, staging
Based on a monologue by Trini Díaz
Shelley I (2004)
Jesse Gilday, clarinet
The Time in a Thread (2011), dedicated to Merche Blasco
CoroDelantal
Tempsiabo (2006)
Catherine Provenzano, soprano
CoroDelantal
Mmngieaaou (2006)
CoroDelantal
(there’s no video of this one)
Cantar (2010)
Pili Monzon, co-creation
Merche Blasco, rap
Raymond Sicam, beatbox

Performers at CoroDelantal:
Clara Barreneche, Merche Blasco, Joana Costa, Luisen Elias, Inma Heredia, Slavo Krekovic, Thessia Machado, Catherine Provenzano, Raymond Sicam.

NUEVA YORK: I Mono+Graphic @ SoHo Gallery for Digital Arts
2011-11-17 - 2011-11-25 | SoHo Gallery for Digital Arts, 138 Sullivan St, New York, New York, 10012, United States
Production team:
Merche Blasco, curator
María Marinas, coordinator
Margarita Danielian, catering
Yarisa Colón, special edition for Skins#1
Brian McCann, camera

PROGRAM (with video links):
Barcelona 2010 – Invierno Oblicuo (2010)
CoroDelantal
Skins#1 (2010), dedicated to Patti Kilroy
premiere: Patti Kilroy, violin and loop pedal
Shelley I (2004), dedicated to José Andrés Pérez
Jesse Gilday, clarinet
Mmngieaaou (2006), dedicated to Coro de Voces Bravas
CoroDelantal
Primera Beckettiana (2010), dedicated to Llorenç Barber
premiere: Patti Kilroy and Elvira Martínez, violins
The Time in a Thread (2011)
premiere: CoroDelantal
Cello Mantra (2011), dedicated to Ana Belén Berenguer
premiere: Isabel Castellvi, violoncello, breathing and two bells
Singers at CoroDelantal: Inma Heredia, Thessia Machado, Barbara Scandroglio (sopranos); Merche Blasco, María Marinas, Pilar Carreras (altos); Jorge López, Luisen Elías (tenors); Brian Abbott (bass).
Micro-mecenas at the crowdfunding (alphabetical order): Ramón Abajo, Reyes Álvarez, Paco Aranda, Lucía Arranz, Reyes Arranz, María Barnuevo, Vicente Benlloch, Derek Bermel, Laura Bohn, Alejandra Borjabad, Johanna Bosse, Alice Brunot, María Bustelo, Teresa Cañete, Silverio Carmona, Mercedes Capdevila, Moon Jung Choi, Andrea Cukier, Margie Damele, Claudia Dinep, Ted Efremoff, Carl Far, Isabel García, Manuel García, Pablo Gastaminza, Esther González, Tim Hansen, Pedro Izquierdo, Saúl Jiménez, María Juan, Agatha Kasprzyck, Tanat Kissikov, Slavo Krekov, Aurora Lassaletta, Patrick Lamotte, Francis López, Santiago López Navia, Miguel Malla, Mara Marín, María Marinas, José María Martín, Steve Matysik, Amelia Meléndez, Francisco de Miguel, MªCarmen Miralles, Patricia Molina, Laura Mora, Gustavo Moreno, Juan Ramón Moscad, Antonio Muñoz, Tim O’Hara, Elena Oubiña, Lorena Pajares, Tomás Peire, Pablo Peláez, Annabel Perez, Lucas Ponce, Ginés Reche, Yolanda Remacha, Tania Rodríguez, Miguel Rozas, Mariana Ruiz de Lobera, David Sánchez, Joseph Siegel, Izy Syreh, Cristian Torres, Esther Torres, Teresa Torres, Maximino Vázquez, Kim Wetzel, Christian Woerner, Robin K. Woerner, Marta Zapardiel.

ALCALÁ DE HENARES: Concert of my music at the university
2010-06-26 20:00 - 22:00 UTC | Valencia
On June 26th 2010, Tania R. Manglano and Blanca Aller curated a concert on my music at the University of Alcalá de Henares.
This was the preparation of my MONO+GRAPHICs.

Vídeos:

Pictures:
LBaila – 1 LBaila – 2 LBaila – 3 VocesBravasLab singing Mmngieaaou Gustavo Moreno at the premiere of SoLnatina SoLnatina Gustavo Moreno at the premiere Laura Giménez at the premiere Pablo Gastaminza and María Silvera at the premiere of Sonata – 1 Pablo Gastaminza and María Silvera at the premiere of Sonata – 1 Isabel García López and María Silvera singing Procesión Estela Ortega and Carlos Rodríguez Acosta at the premiere of No mires a otro lado Teresa Manzanero premieres Shelley II VocesBravasLab singing Bravo, voces All the artists at the end of the concert

MADRID: Concert Sonia Megías @ Entredós Foundation
2009-01-24 20:00 (Europe/Madrid) | Fundación Entredós, Calle Marqués Viudo de Pontejos, 4, Madrid, Madrid, 28012, Spain
